Wren Donovan

POETRY

Untitled Poem About Breaking

Once I believed I was finding my toughness learning to trust my own strength, to believe I wouldn’t break. Now I see I’m learning to accept that I am breaking always breaking again and again broken never ending never healed always healing always breaking bleeding on a cycle with the moon which is a rock that cracks ribs and opens sternum until my heart stands out alone anatomically correct like Frida’s heartbreak (she knew she was broken always breaking).

Trivia

Last night you told me trivia in bed. It’s one hundred thousand light years across the Milky Way. Two hundred trillion human years to escape beyond the curved edge of the infinite (apparently the infinite has edges). After failing to imagine the starry swimming pool of god that seems to never end but somehow does, I thought of ever-tinier things, like pebbles and poppy-seeds and rainbow flecks of beach-glass ground to sand, and your breath moving hairs on the back of my neck. Even smaller now, t

More Like the Bat

Hollow like the leg bone of a bird Fragile like the finger bones of bats Both options offer lightness and allow for flight. No hollow bones for me, only this splintering.

I suppose I am more like the bat

blinking out from overhangs and underpasses,

No bird am I, no spirit of the daylight sky

This burrower falls to flight out of necessity.

Wren Donovan (she/her) lives in Tennessee. Her poetry appears or is upcoming in Emerge Literary Journal, Anti-Heroin Chic, Harpy Hybrid Review, The Dil

A Valentine For My Mother

On a screen-porch in Baton Rouge, real low to the ground my mother’s hands rattle the old metal peeler birthing naked potatoes pulling down long skinny strips that curl like old paper and stick like wet leaves
and smell just like dirt. We swim in sweaty Lou’siana air and click and clatter of bugs and kids hollering somewhere and faraway lawn mowers. My little brother is there.
We’re carving raw potatoes into art stamps, a vintage project for small hands, excavating
raw white flesh from each newly opened slick face, slippery blinking round and blank.
I sculpt the first letter of my name with the small knife, sneak a piece of crunch into my mouth.
My kindergarten fingers cut around a three-pointed tulip then two-pointed cat head
I attempt a smiling sun with crown of spikes and then a Valentine heart for Mama
who has covered the wooden table in newspaper set out pools of paint in little glass jars

Red Bleeds To Black

I have no real experience with wolves or wild dogs devouring dead among slender tree trunks in moonlight. I have never actually seen those slinking black forms move against blue snow. Only one wolf once, blue-eyed and familiar, and now this weird half-dream. Thick writhing tails curled like oil tracks in water, they scattered like rats into cracks in the moonlight when I clapped my hands. Leaving the bodies still and charcoal-black against blue snow in moonlight. Why would I have this dream. Because I watched a war movie in black and white. Because those old photographs, bodies dropped or tossed like toys, limbs akimbo asunder in ditches and fields, wool uniforms blackened eyes open or closed demanding dignity denied to them by the lens. We call those photographs old but no photographs are old. Just yesterday I saw a sepia face smiling on a beach, a face soon after famous for hiding and dying and hoping. I turn my body over on the bed.

Alien and Roe

Where does this anxious monster live in me, and can it be removed, or is its body wrapped around my heart, tentacled among my lungs, knitted into the network of my nerves and veins. Do we share blood? Am I still

me, or lessened now to carrier,

to hostess, all my insides

albumen and yolk, my outsides

eggshell, leathered and amphibian.

Limbs move beneath my belly, flesh

stretched over fat that glistens

when exposed to light, when the time for

opening comes. Is this anxiou

Message From a Muse

Dear girl who wants to write,
What are you willing to sacrifice to learn to break
to fatten to starve, to look at to talk about to live with.
Your pain is big in the dark and small in the light, are you willing to lie
in the crawlspace to bruise purple-black and blue-green to
feed on your own brittle spirit at a formica tabletop
covered with atomic stars covered with orphaned coffee cups
brown stains circling waiting sitting in a kitchen alone but never
alone enough.

I'll Try To Explain Why Zombies Make Me Sad

The original Night of the Living Dead, all silver shadowed black and white, would rise up in my hypnagogic sixteen-year-old brain and I would pray to bar it from my dreams. Not because of gore, the guts and greyscale blood. Because the Sadness. Emptiness both more and less than death. The little girl who turned and ate her parents, the man who ate his sister, all the love reduced to vacant. Yes I know it’s funny. I probably shouldn’t have watched it stoned. Later it was Shelter, when the little
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